News


Suchitra Mattai Featured in Hyperallergic 

"The effect is reminiscent of carefully kept, though fantastical, travel diaries or scrapbooks — or perhaps of the coded documentation of someone who wants to be heard, but cannot speak aloud."

-April Greene, Hyperallergic, June 2019

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Daisy Patton's 

Untitled (Family Portrait on Rocks) 

becomes cover of Aoko Matsuda's newest book "Let Me Be a Shrew"


K Contemporary Artists shake up Colorado Governor's Mansion in dynamic One Night Show 

" They... transform the space into an art gallery unlike most others — a fusion of old and new."


-Cori Anderson, 303 Magazine, June 2019

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Jonathan Saiz "Colorado Coastal" Featured in the Denver Westword 

"...this dystopian view is appropriately messy."
-Michael Paglia, Denver Westword, June 2019


Jonathan Saiz Featured in the Denver Post: 10,000 Paintings

"Massive and micro. Warm and cool. Deeply spiritual, yet loaded up with bling, bling, bling."


-Ray Rinaldi, The Denver Post, June 2019 

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Mario Zoots Featured in the Denver Post  

" His skill is to juxtapose things just so — pulling in viewers’ attention and inviting them to solve riddles about why this goes next to this, or that overlaps that. "
- Ray Rinaldi, The Denver Post, May 2019

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Ken Gun Min Featured in ArtMaze Magazine, curated by Tristian Koenig 


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Kuzana Ogg Awarded Residency at the Daugavpils Mark Rothko Art Center, Latvia 


 Suchitra Mattai's 
Imperfect Isometry (2019) 
 (2019) 
Featured in  

Sharjah Biennial 

"Nothing is off limits for Denver artist Suchitra Mattai. "

- Colorado Public Radio, February 2019 

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Sarah Winkler Featured in RADICAL ART REVIEW, FAREWELL EARTH


“A striking aspect of these works is the heat they emit. The splatters of smoke and the lines of a blaze merge in these compositions, where the almost amorphous land forms appear to melt. A wildfire is an event which demonstrates both nature's violence and its vulnerability. Though this environment is nothing but hostile for human life, through choice of colour these images have a sensuality, a sense of calmness. Winkler's work could be compared to that of Georgia O'Keeffe, not only aesthetically but also in its pure celebration of the power of nature.” 

-Megan Daly, Farewell Earth, Radical Art ReviewJanuary 2019


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Review: Sarah Winkler a "Not To Miss" Artist featured by 303 Magazine  

Born in England, Sarah Winkler’s art belongs in the Rocky Mountains where she now lives and works. Using acrylic paint on wood panels, Winkler pulls and brushes the paint in a series of patterns that replicate the natural environment. Her landscapes portray towering mountains and sweeping deserts — with a particularly mesmerizing series of the solar eclipse from a few years ago — and her choice in colors elevates each to a realm where it’s always the “golden hour.” 
 - Cori Anderson, 303 Magazine, January 2019


Sarah Winkler Featured in Bind Collective 

“My artwork has always focused on the geological narrative of landscapes – revealing the process of their creation and changes over time. I’ve just begun Smoke Signals, a new series of environmental works focusing on massive wildfires. I’m documenting and revealing “Sudden Geology” – Instant and unpredictable changes to our landscape as our Earth adapts to current climate change stressors.”

 -Sarah Winkler

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K Contemporary Featured in the Denver Post

"Inone quick year, Doug Kacena has turned Denver’s commercial art scene on its head, upending many of the current, common assumptions about where for-profit galleries are headed in the 21st century.

His new K Contemporary gallery downtown is thriving after just 12 months in business, and along the way it is revitalizing the careers of local artists and giving the city a fresh place to see, and shop for, some of the most interesting new art around."

Ray Mark RinaldiThe Denver Post, 

                                            

                                                          

K Contemporary Featured in 303 Magazine

"With the talented list of artists and the rapidly growing esteem of K Contemporary, this quick exhibition might be the best one to end 2018 on. After all, it was a big year in art for Denver and many of these artists will be at the forefront of contemporary art in the near future."

- Cori Anderson, 303 MagazineDecember, 2018


Review: K Contemporary, Daisy Patton, "A Rewilded Arcadia"

"Doug Kacena’s upstart K Contemporary, which occupies a Victorian storefront in LoDo, has cut a swath through the art scene by presenting museum-level shows with some of the region’s most interesting artists. The current exhibit, Daisy Patton: A Rewilded Arcadia, is extremely ambitious, and many of the works are so enormous, it looks like it could be in a museum. In fact, Daisy Patton is also the star of This Is Not Goodbye, now at the University of Colorado Art Museum, a show she sees as a companion to the one at K Contemporary..." 

- Michael Paglia, Westword, October, 2018


Kevin Sloan featured at the California Museum of Art Thousand Oats.

"Kevin’s allegorical realism occupies a fascinating territory where the human and natural worlds collide. The interchanges that occur give rise to relationships that spark immediate recognition while the enigmatic meaning lingers in the observer’s mind. Conversations are opened about how we interact with nature and the implications of our technological advancements on the environment we share with the rest of the animal kingdom."A Collection of Rarities" is on view November 8, 2018 through February 17, 2019 in CMATO’s main gallery."


Suchitra Mattai Included in the 2019 Sharjah Biennial

"The Sharjah Art Foundation (SAF) has released the list of nearly ninety emerging and established artist participating in the fourteenth edition of Sharjah Biennial, which will take place from March 7 to June 10, 2019. Titled “Leaving the Echo Chamber,” the biennial will consist of three exhibitions curated by  Zoe Butt, Omar Kholeif, and Claire Tancons that will explore the possibilities and the purpose of producing art when history is increasingly fictionalized, when borders and beliefs are under constant negotiation, and material culture is under threat from human destruction."


Review: Suchitra Mattai Explores Her Heritage in CVA's Sugar Bound

"She uses the clash, conflation and compression of these components of her personal history to set up the content of her conceptual pieces, which touch on everything from European imperialism to the exploitation of colonized people and the travails of the immigrant experience. Mattai also includes collapsing time in the mix, as Cullen notes. The concerns she raises based on nineteenth-century narratives are extremely relevant today, given what’s been happening at our southern border, where brown-skinned asylum seekers are denied entry to this country and, worse, separated from their children."  - Michael Paglia, Westword, Sept. 2018


Daisy Patton featured in Hyperallergic

Patton's approach never stops running routes between the past and present, or from minimalism to the decorative. The paintings are rooted in the photograph, so there is a visual kinship. But while the photo captures a story already completed, the painting invites a dialogue, not only with the choices within the frame but the uncomfortable acknowledgement of one’s own fading presence in the memory of others.


Winkler Review: Color Brightens New Shows at K Contemporary

"Pretty much all of the paintings here are large, and some are enormous: The multi-panel, billboard-sized “Colorado River Flow” is over twelve feet across. The various shapes splayed across the three panels do not represent a literal landscape, and this is especially true across the bottom, where the elements seem to have been freely associated. Winkler conjures the illusion of the landscape through the tight margins of the various parts, especially across the tops of the compositions, which read like mountain ranges set against the skies. Her repeated use of horizontal elements stacked on top of one another successfully suggests the idea of a scenic view without specifically referring to it. Taking all these attributes into account, I realized that Winkler was right: Her paintings are abstractions and, technically speaking, not actually representations of external reality." - Michael Paglia, Westword, July 2018


Westword Review: Carlene Frances - Seijaku

Looking at these serene paintings, it’s hard to believe they are meant as a kind of resistance, but then again, that’s what seijaku refers to: a peaceful escape from the chaos....Each painting has its own limited palette of just a few predominant tones, yet Frances’s use of layer upon layer of oil glazes gives them an internal luminance. The results are complex and often majestic. The larger works are particularly striking.


K Contemporary Named “Best New Art Gallery”

Denver’s Westword Magazine names K Contemprary as the “Best New Gallery” in Denver for the 2018 Best of Denver Awards.  “K Contemporary has been hosting some of the hottest shows in town. Artist Doug Kacena is the force behind the new space, and with K Contemporary, he’s shown himself to be an able curator who’s already assembled a formidable stable of high-profile Colorado artists, including Monique Crine, Michael Dowling, Kevin Sloan, Suchitra Mattai, Karen Roehl, Scott Young and Mario Zoots.”


Kevin Sloan “The Wanderers Garden” in American Art Collector 

Kevin Sloan‘s recent exhibition “The Wanderer’s Garden” was featured in the March 2018 edition of American Art Collector.  “Kevin Sloan’s paintings have been witty, entertaining and flawlessly executed”


Carlene Frances “Non-Referentially Speaking” in ArtBeat Magazine

Carlene Frances‘s featured in April edition of ArtBeat Magazine .  “Her most recent series called Seijaku – Japanese meaning serenity in the midst of activity – represents the journey to order, simplicity and calmness in today’s technology filled world. She successfully was selected for the 46th International Juried Art Show this month at the Brownsville Museum of Fine Art


Suchitra Mattai Selected for MCA Denver “Octopus Initiative”

25 original works from Suchitra Mattai were recently purchased by the Museum of Contemporary Art Denver. Have you ever looked at a work of contemporary art in a museum and wanted to bring it home? Well, now’s your chance. MCA Denver’s Octopus Initiative is offering any resident of the Denver metro area the chance to borrow and live with a work of art for ten months.


Sarah Winkler Featured in Scientific American

Sarah Winkler  is featured in “Out of the Shadow – Artists respond to the Total Solar Eclpise” By Kalliopi Monoyios for Scientific American, September 2017.  “According to NASA, light levels under totality “resemble twilight conditions about 30 minutes after sunset.” Colorado-based painter Sarah Winkler caught this beautifully in a series of paintings she’s creating in what she calls her “totality palette.’”


Scott Young New Addition to the MCA Denver

Scott Young‘s monumental piece “Wish You Were Here”, (2016. Neon, steel, alupanel, and electronic) was installed in April on top of the Museum of Contemporary Art Denver. Young’s piece beautifully caps the David Adjaye-designed building.


Doug Kacena Featured in Art Ltd

Doug Kacena‘s recent ground-breaking exhibition “Crossover” is featured in the March/April 2017 edition of Art Ltd, reviewed by Michael Paglia. 

“Denver-based abstract painter Doug Kacena noticed that there was a disconnection in the art scene, not just here in Colorado, but nationally. This clearly defined gap has artists working in contemporary styles—like him—on one side of it, and those whose efforts lie in the traditional realist realm on the other. So Kacena conceived of the exhibition “Crossover,” with the idea of bridging the distance between the two through radical interventions. Kacena selected some of the most significant representational painters active in the region and asked each to give him one of their pieces so that he could paint over it. Simultaneously he gave each of them one of his, so that they could paint over it.”


Daisy Patton On the Cover of Create Magazine

“From Los Angeles, California, Daisy Patton moved back and forth between Oklahoma and California during her childhood. She spent much of her early years reading adventure and detective tales, history and art history books, and ghost stories. Patton’s practice is focused on history, memory, and social commentary stemming from this youth soaked in such specific cultural landscapes. Her work explores the meaning and social conventions of families, little discussed or hidden histories, and what it is to be a person living in our contemporary world. One such series is “Forgetting is so long,” reviewed in “Art LTD” and “Hyperallergic,” as well as featured in “The Jealous Curator,” “Fresh Paint Magazine,” “Backroom Caracas,” and “Artistic Moods.”


Review: Scott Young Looks at Love at K Contemporary

For the grand opening, K Contemporary has taken the lead position, filling the lobby and the main-floor rooms with a spectacular solo, Scott Young: Gas Light Love Bomb, which comprises conceptual art done with electronics, photos and lighted glass tubes that are filled with luminescent gases, including neon. The show cogently tells the story of a romance, or romance in general, by setting up discrete sections modeled on an oratorio. 


Art ± Geology - Sarah Winkler featured in Alpine Modern

Contemporary artist Sarah Winkler’s experimental painting technique mimics the addition and subtraction of geological processes in nature. Iceland’s geological drama and Alpine-Nordic design ethos inspired her current winter series of fantastical alpine landscapes.