Suchitra Mattai is a multi-disciplinary works in Denver, Colorado. Suchitra was born in Guyana, South America, but has also lived in Halifax and Wolfville, Nova Scotia, Philadelphia, New York City, Minneapolis, and Udaipur, India. These diverse natural and cultural environments have greatly influenced her work and research. While her practice includes a wide range of materials and ideas, her primary interests include 1) the complex relationship between the natural and artificial worlds and 2) the questioning of historical and authoritative narratives, especially those surrounding colonialism. Through painting, fiber, drawing, collage, installation, video, and sculpture, she weaves narratives of “the other,” invoking fractured landscapes and reclaiming cultural artifacts (often colonial and domestic in nature).
Suchitra received an MFA in Painting and Drawing and an MA in South Asian art, both from the University of Pennsylvania, Philadelphia. She has exhibited her work in Philadelphia, New York City, Washington, DC, Minneapolis, Denver, Austin, Berlin, London, and Wales and her work has appeared in various publications such as The Daily Serving (Mailee Hung), New American Paintings, and will be in a forthcoming book, “A Collection of Contemporary Women’s Voices on Guyana,” (Grace Anezia Ali, Brill Press). Her next projects include collaborations with the Denver Art Museum/SkyHouse, the Museum of Contemporary Art Denver, and a travelling exhibition with the Museum of the Americas, Washington, DC. In the past year, she has completed installations for the Sharjah Biennial, Biennial of the Americas and currently is exhibited at the new Crystal Bridges, the Momentary's traveling exhibition "State of the Art 2020," curated by Lauren Haynes. She recently completed a residency at RedLine Contemporary Art Center, Denver, and is represented by K Contemporary Gallery Denver.